
Written by Aimee Hua
Photo by Aimee Hua for The Fraser Post
Edited by Grace Yang
CREATIVE
thuja occidentalis
sun-stained canvas,
water-coloured temples,
an aphoristic constellation on her anatomical right; two slow dancers.
(the desire path etched by astronomers of old: see stars, weave meaning, find home.)
a silver knife,
love-pink dragonfruit,
the splash of broken glass slipping across still water; obscenely beautiful.
(rough gauze asymptoting softly, reverently, tracing its way ever-so-close to oil-paint lips.)
my vice of choice,
the apple of my eye,
god's name spat through clenched pink teeth; proper sacrilege.
(brush caught in teeth, tipped with red-hot avarice, singing eden across the canvas.)
the chime of glasses,
the spill of bottled-up laughter,
the tossing back of heads, drinking in the inertia of a stolen moment.
(a salve for the bones, a subcutaneous relief, a song for which no instrument suffices.)
a stoppered vial of the sharp inhale she takes
before she places her sure hand
over my shaking one.


